Episodes
I'm joined by filmmaker and musician Alison Tavel to discuss her incredible documentary, RESYNATOR (2024), available for streaming on December 13, 2024. RESYNATOR premiered at SXSW 2024 and currently sports a 100% on Rotten Tomatoes.
Gratitude is the operative word with filmmaker Adam Kinyon, founder of Best Dressed Films and producing two independent features in 2024. How do you get your short made? What's the state of play for producers in independent film? If you're a director looking for a producer or a producer looking for a director, this episode is for you.
The film PORCELAIN WAR (2024), opening in New York City today (November 22nd, 2024), won the 2024 Sundance Festival Grand Jury Prize, among numerous other plaudits. And I asked the directors -- Slava Leontyev and Brendan Bellomo -- whether the awards matter to them, and in one of the many heart-aching answers in this interview, Slava responded: I am here instead of my friends. Sharing this film is the main mission in my life.
If the best documentaries are made by outsiders observing a cultural phenomenon -- and then filming it -- consider watching FANCY LIKE, available for streaming on November 19th, 2024.
This episode with Matt Beurois is filled with surprises.
If there's a more innovative, surprising, enjoyable, and fun documentary than STARRING JERRY AS HIMSELF (2023), I haven't seen it this year. It's no surprise all those attributes could be used to describe my conversation with its director, Law Chen.
From leading the way in Asian-American romcoms to the brilliant 26.2 TO LIFE, I talk with filmmaker Christine Yoo about her career, how to depict marathons and prisons on film, the state of rom-coms and Asian-American filmmaking, and more. Just by those categories alone you should know you are hearing from a wildly original filmmaker. And that's before the CIA gets namedropped.
There's something so inspiring about a filmmaker who has a million different reasons for why he shouldn't be selected for this fellowship or that school, but goes forward boldly, anyway, and stays humble about it.
And also a guy who would love the opportunity to teach at his film school -- NYU -- but I completely believe him when he says that he would quit if it got in the way of his feature filmmaking.
That's the story of my guest, filmmaker Ward Kamel.
Let's throw it back to how things used to be -- date night movies, romcoms, leaving the theater feeling good about what you just watched.
I don't want to get too nostalgic about the past because right now we have access to so many great films from so many new creators than we ever had before, but we can all agree (I hope) that we need more films like HANGDOG (2023) in theaters. And thanks to filmmakers Matt Cascella (director + writer) and Jen Cordery (writer), we can.
There is no other filmmaker working today that personifies being the "man in the arena", as Theodore Roosevelt so eloquently put it, than Matthew Heineman.
His films have ranged from the frontlines of wars to the sweet and touching portrayal of Jon Batiste in AMERICAN SYMPHONY (2023). Just making one such film could be a career pinnacle -- Matthew has directed 14 wholly original, extraordinary special artistic contributions to the medium -- and he's here to share the details.
Welcome to spooky season in this re-release of my conversation with filmmaker Hoku Uchiyama.
Be prepared to get a bill from The New School after this episode -- it's an hour with Vlad Nikolić, dean of the School of Media Studies at The New School.
This is a re-release of my discussion with Ross McDonnell. His film, SWIFT JUSTICE, is up for a News & Doc Emmy in Outstanding Cinematography: Documentary. The awards will be revealed live on September 26, 2024.
AI is the most controversial topic in filmmaking right now. I talk about it with the directors' duo of Julien Vallée and Eve Duhamel, artists who are now exploring the medium in the best possible way -- as an extension of their own art.
I mean this in the best possible way: Nathan Schiltz doesn’t give a fuck. About chasing laurels for your short films. The professors at Woodbury. THE FABELMANS saying you are going to get the girls by becoming a film geek.
What he does care a lot about is the quality of his art. This is what made the episode so much fun for me. If you think I’m describing somebody with a nihilistic point of view, that’s not what I’m saying. He’s that dedicated to his art that he’s tuning out everything else and concentrating on what matters for him.
Hope he stays this way the rest of his career.
